News
I have been selected for membership in the Deutscher Künstlerbund. Founded at the beginning of the last century on the initiative of Harry Graf Kessler, a supporter of arts and artists, along with individuals such as Alfred Lichtwark, director of the Hamburg Art Gallery, and famous painters like Lovis Corinth, Max Klinger, and Max Liebermann, the Deutscher Künstlerbund supports art and artists. (I thank the artists for considering me as a nominee.)
SANATORIUM is participating in Art Dubai 2024 with works from Yunus Emre Erdoğan, Erol Eskiciand Christiane Peschek. You can visit the fair from February 28 to March 3 at Madinat Jumeirah. Our booth number is A2.
The Age of Fire
Curator: Can Akgümüş
04.11.- 27.11
The Age of Fire exhibition, curated by Can Akgümüş, with support of the German Embassy Ankara, will open at Çankaya Contemporary Arts Center on November 4th 2023 bringing together 35 artists who create in the field of contemporary art on the topic of the climate crises.
Inspired by the philosophy of deep ecology, the artists adopted styles that convey their reflections on the Anthropocene using material diversity, their direct relations with nature and earth, as well as their vision for the future.
„…AND QUIETLY THE NIGHT ARRIVES.“
Preliminary list of artists: Metin Celik · Andreana Dobreva · Erol Eskici · Marek Kvetan · Wolfe von Lenkiewicz · Nikola Markovic · Mihael Milunovic · Jina Park · Leopold Rabus · Richard Stipl · Sergiu Toma · Marko Velk
Curator: Kristína Zaťko Jarošová and Patrik Steinhauser
Opening: 01.10.2023
Duration: 01.10.2023 – 31.12.2023
ZOYA Museum, Partizánska 2275
The 'Stable Dreams' exhibition, where reality meets imagination, brings together the works of 21 artists under the supervision of Yekhan Pınarlıgil.
UNINTENDED MONUMENTS
25 November 2022 - 21 January 2023
SANATORIUM presents Erol Eskici’s solo show Unintended Monuments between the dates November 25, 2022 - January 21, 2023. The exhibition brings together Eskici’s works based on “Unintended Monuments”, one of the important points of the conceptual framework that Austrian art historian Aloïs Riegl defined and established in his article titled “The Modern Cult of Monuments: Its Character and Origin” (1903).